A24’s new 10-episode TV series Mr. Corman written, directed and starred in by Joseph Gordon-Levitt (500 Days of Summer, Inception, Don Jon) is a dark comedy featuring a melancholic teacher in crisis.

The setting for Mr. Corman is the San Fernando Valley - the suburban sprawl north of Los Angeles - and the production had decided to film in the area. However, shortly after filming began, the impact of the COVID-19 pandemic suddenly shut down production. Discussions began about what solutions there could be to continue and the idea was put forward to complete the season in New Zealand where, because of the country’s ability to keep out the virus, production continued.

When the production relocated to New Zealand, Wellington stood in for suburban Los Angeles and a predominantly New Zealand crew were headed by Producer Pamela Harvey-White. Episode 109 was entirely shot in Petone mainly on Victoria Street.  

When it came to recreating the look of Van Nuys, California, that fell to New Zealand production designer Brendon Heffernan, who took over the reins from Meghan Rogers.

“All of the skills I’d learned on fantasy, science fiction and other big art department shows was suddenly applicable to Mr. Corman, in the way that my team and I would have to make things disappear,” says Heffernan. “We had to create Van Nuys in New Zealand but not make it jump out or let it distract from the characters. That was exciting to me.”

Heffernan created concept drawings, but they would only be references, as the beauty of the design would be in the familiar, the aspects in our environment that we often take for granted. “I had to learn quickly what Joe responded to in terms of what was familiar and what wouldn’t read as Los Angeles," recalls Heffernan. “Those initial scouts were where I learned Joe’s language and what he wanted.” To effect the transition, houses were clad in different finishes and the art department turned green lawns to shades of brown to better match the drier California climate. The art department changed signage, graphics and added practical lighting.

Other set pieces - including Josh and Victor’s apartment - were able to be transported from Los Angeles to New Zealand. “It was surreal shooting in the same apartment that we were shooting in in L.A.,” recalls Castro. “I walked in and was so disoriented, because I knew I was in New Zealand, but I was also in an apartment in L.A..”

“I was able to work with two of my favourite crews in my whole career, our L.A. crew was phenomenal. Shutting down in Los Angeles was like a dagger in our hearts, but when we shifted to New Zealand we found another crew that was just as amazing. We were really, really fortunate.”   Jaron Presant, Director of Photography.

Source: https://www.nzfilm.co.nz/